MUSIC REVIEWS
Trapt - Someone In Control
Seth Saltzman
The newest release from the up-and-coming band Trapt is proof positive that this group is destined for mainstream glory. I initially found this group on a website for fledgling bands back in 2002, after downloading a track titled “Headstrong”. It was a good track that showed potential for this group to become popular, based on the unique sound they produced. Then after catching their excellent live performance at the 2004 Rockfest tour, I was compelled to remain a fan.
Sadly most other reviews I have read about this album seem to strongly dislike this new release citing it as a second album slump. I certainly disagree. In fact most reviews I have seen for this release complain about “the metal becoming too soft” and other similarly confused thoughts. There’s just one problem with that: Trapt is definitely not metal nor have they ever been. Calling this music metal will get your ass kicked by any true metal fan, and with damn good reason.
I really like this latest album mostly because Trapt seems to have regrouped with a more polished sound and much better vocals. Those familiar with their previous album may recall that it was a great collection of tracks, some which fit together nicely and some of which did not. In addition some of the vocals were a bit too whiny, reminiscent of Limp Bizkit’s Fred Durst and his signature pre-pubescent sound. I attribute this as one of the main factors that prevented Trapt from being an instant overnight success. With this newest release, all the former weak spots and kinks seem to have vanished. Someone In Control is a great improvement showcasing a much more mature sound, which I believe will draw in new fans based upon its style.
The boys of Trapt still retain their original and unique musical sound, yet have improved all around with this release. The vocal tracks are much better, demonstrating an increased range and smoother tone. The music itself has become more complex and melodical, and the band really seems to have tightened up in general. Front man Chris Brown deserves kudos for his excellent progress as a vocalist.
In addition, I believe this album was recorded in a different studio than the last release. I state this because the new disc has great compression and the mastering was done well enough that it sounds quite true to their live performance. This band reminds me of a mixing of Hoobastank, Matchbox 20, and perhaps Silverchair. Don’t let this fool you though, as Trapt has certainly managed to create a fresh sound all their own. I would definitely recommend this release to just about any alternative fan regardless of age. Those other reviewers can kiss my ass, silly bastards.
